Entertainment news, celebrity gossip and photos on MSN Entertainment. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get. New Year Honours 2015: Full list of awards and recipients. New Year Honours 2015: Full list of awards and recipients.

Four Days in November (1. Edit. Trivia. The film features Dallas, Texas radio and television coverage from KLIF Radio, WFAA- TV 8, and KRLD Radio. See more ». The narration states that school in Dallas had been let out for the day to enable children to see the President's motorcade. This did not happen, as the school district was debating what to do with early release after the assassination and finally determined that the school buses would run at the regular times that afternoon.

See more ». Quotes. Himself - Narrator. There are only two occasions when the canon of the military district of Washington fire a 5. Each 4th of July to celebrate the country's birth and after the death of a President of the United States. Soundtracks. In the Summer Of His Years.

From more than eight million feet of newsreels, amateur footage, tape-recordings and more, David L. Wolper presents a priceless detailed account of the time and.

Andre Romelle Young:1 (born February 18, 1965), better known by his stage name Dr. Dre, is an American rapper, record producer, and entrepreneur. This weekend, Heinz Kluetmeier will become the first photographer to be inducted into the International Swimming Hall of Fame in Fort Lauderdale, Fla. The longtime. Soul-Patrol Radio is all about listening to Black Music, Classic Soul Music, R&B Music, Soul Music, Neo Soul Music, NuSoul, Jazz Music, Blues Music, Southern Soul.

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Prince Albums Ranked - Stereogum“Considering Prince’s continued vitality and infamous vaults, he’s probably got another few lifetimes’ worth of music ahead of him, too.” That’s how I closed my ranking of Prince’s albums almost three years ago. The bit about the vault was sound. But like a lot of others, I confused the presentation — his jokes about ignoring time, those famous break- of- dawn Paisley Park concerts — with reality. For over 3. 0 years, the joke about the Rolling Stones is that they should be dead. The joke about Prince was that he never would be.

His passing brought the flood: credits and tributes that weren’t buried, rather carried around, waiting for the appropriate time. The beguiling androgyne who centered women’s pleasure; the virtuoso devoted to rock, funk, and R& B; the hard- nosed defender of his legacy who absolutely had to release as much as he could. He left us as probably the greatest solo pop artist in American history, the ultimate combination of mental and physical exertion. He wrote, arranged, sang, played, danced, and performed. To the end, he was still, often, a one- man band: a first- ballot Hall Of Famer taking endless swings in the batting cage.

He never really stopped doing it all: busting taboos, flashing his ambition, dipping into whatever style he please. He plied fantasy and urgency, divine devotion and sexual abandon. He was an internet pioneer and the paragon of major- label cantankerousness. Practically anyone trying to scuff up their pop songcraft is in his debt; if they run into roadblocks, they’re even more so.

With astounding ease, he tossed out arena killers and obsessed- over deep cuts, concept albums and slamming soundtracks, Anna Stesia and Bambi and Darling Nikki. Watch Scaredy Cat Dailymotion more. At his peak, he was essentially a one- man record industry.

He handed Sinead O’Connor and Chaka Khan the biggest hits of their careers. After seven years gone, Kid Creole And The Coconuts — a sterling act in their own right — rode “The Sex Of It” back into the UK Top 3. Stevie Nicks, Sheila E., Sheena Easton, and the Bangles went Top 1. Stateside with Prince tunes.

He’s been sampled by Nine Inch Nails, covered by Sufjan Stevens, pastiched by Weird Al. Even with all this, his grandest legacy could be how he put so much of himself on wax while holding so much in reserve. His boldest thematic throughline would surely be sexuality: the pleasure of pursuit, the promise and demonstration of ecstasy. Yet Prince’s carnality existed in this weird middle ground between exhausting entertainment and raw reportage.

It was his obsession, but song by song, it was rarely done obsessively. The same thing applies to his spiritual journey, which traversed all the stations from guilt to exaltation. He was an avowed Jehovah’s Witness — freely discussing his unease about everything from substance abuse to cussing to (tragically, paradoxically) non- heterosexuality — but the come- ons never stopped. Like Bob Dylan (a fellow Minnesotan), he could be wickedly funny in interviews. On Dutch TV, he once explained his conviction about birthdays thusly: “I don’t celebrate birthdays, so that stops me from counting days, which stops me from counting time, which allows me” — and here he drops into a fey Southern accent and rises into some doofy shoulder- rocking, to a massive cheer — “to still look the same as I did, 1.

Blessedly, he outlasted other folks’ jokes: The end of his first Warner Bros. Free from his contract, he initiated a years- long re- evaluation of the standard distribution model, experimenting with subscriptions, MP3 stores, albums packaged with newspapers and bundled with concert tickets. The results themselves were often uneven — to his unrealized chagrin, the major- label paradigm nurtures quality as much as it quashes it — but they always offered Princemusic, a heady blend of styles and passions that added to our conception of the man, even if they didn’t shore up the legacy.

But when you’re the forever king, your legacy is already written. For all his innovations and excursions, Prince never stopped pointing out that he was firmly in the lineage of black music, an inheritance that covered everything from rock ‘n’ roll to jazz to funk to dance to rap. Too smart to self- destruct, too curious to mail it in, he became (and remained, to those with ears to hear) the greatest, weirdest gift ever sold. So! The following list is the original countdown, with Prince’s final four albums added. We limited what Wikipedia calls his “internet albums” to 1. The Truth and 2. 00. Xpectation, which means we left out a few of his esoteric- even- for- him releases (2.

The Chocolate Invasion, for instance, or, um, 2. The Slaughterhouse). That still leaves us with more than enough music for his, or anyone’s, lifetime.

Let’s go crazy. 3. HITn. RUN Phase One (2. If the previous year’s Warners deal implied rapprochement, Prince proved infinitely capable of getting back on his bullshit when he pulled his music from all non- Tidal streaming services. In theory, this cleared a lane for the HITn.

RUN albums. (Prince was high on Tidal’s potential, but after his death his estate sued the service, alleging that Tidal illegally offered 1. Prince albums for streaming.) He even staggered their release for maximum impact. Phase One is the record with the dance- music trappings and co- producer Joshua Welton, husband of 3rd. Eye. Girl drummer Hannah Welton- Ford. It’s also the record that sounds like Art Official Age Phase Two. Mr. Nelson” is an elaboration on “Clouds,” with a hacked- up Lianna La Havas vocal from the original track. This Could B Us,” so airy and lovely on AOA, gets loaded with wubs and heavy- handed drumwork.

Fallinlove. 2nite” could’ve appeared on AOA: He wrote the song for his guest spot on FOX’s New Girl, an episode that aired in February 2. Super Bowl. Oddly, the HITn. RUN version is solo (it was a duet with star Zooey Deschanel in the episode), but Prince’s pipsqueak vocal treatment pairs well with the fizzy dance- pop treatment. Otherwise, the record is an imbalance between the old (the snippets of hits that introduce concert ad “Million $ Show,” the seductive “1. X’s And O’s,” written in the early ’9. Mr. Nelson,” the telecommunication noises and DJ Mustard- style heys in “Like A Mack”).

It would’ve been something if he’d he given himself fully over to EDM, but as a half- measure it’s barely a concession, just a fancy he indulged while serving his strengths. The Black Album (1. Watch Frontier Marshal Online Facebook. The Legendary Black Album it’s often called, but fans didn’t even have to wait seven years.

Legends usually take a little longer to marinate. Still, in pop terms, seven years is a lifetime. When The Black Album was originally slated for release, Nirvana’s drummer was Aaron Burckhard; when it finally came out, Kurt Cobain was seven months gone. Between 1. 98. 7 and 1. Da Butt,” As Nasty As They Wanna Be, Fear Of A Black Planet, “Unfinished Sympathy,” The Chronic and Kill My Landlord. The Time reformed and broke up again.

Alexander O’Neal had stopped charting. The ascendant American pop producers were people like Teddy Riley and the team of Jimmy Jam and Terry Lewis — both former members of the Time — splicing R& B with hip- hop DNA, invigorating the former and further popularizing the latter.

All this to say that while The Black Album may not have started many fires in ’8. The forays into rapping are tin- eared, the funk flat and devoid of frills, and the ballad (“When 2 R In Love”) already issued on Lovesexy, and in a much more forgiving context.